shiny-disko-ballz

 

THE POINTER SISTERS "Dare Me" (1985)

 

Composé des 4 frangines chanteuses: Anita Pointer, Bonnie Pointer, June Pointer & Ruth Pointer, filles d'un pasteur Californien.

Bonnie Pointer a quitté le groupe en 1977 pour entamer une carrière solo. June Pointer, la plus jeune, avait fait de même en 2004. Elle est décédée à 52 ans des suites d'un cancer, le 11 avril 2006 à Santa Monica (Californie).

Le morceau "Dare Me" n'est pas leur plus connu comparé à "I'm So Exited", mais étant lui aussi victime de sample, je tenais à ce que vous le découvriez.

Les artistes tels que Dave Amstrong et Junior Jack iront sampler le refrain qui deviendra un classique House cette dernière décennie.

I've got a chip on my shoulder with you name on it - knock it off.
So don't just stand there foolin' if you don't want it - knock it off.
I say you're either a lover or you are a liar.
So don't you push too hard, you're playin' with fire.

Baby, make your move, step across the line,
Touch me one more time, come on, dare me!
I wanna take you on, I know I can't lose,
I'll be loving you if you just dare me.

Looks like you're lookin' for trouble,
And I'd say you found it - you found it.
You'll have to come right through me,
There's no way around it - you found it.
I hope that lean hungry look means what it's saying.
'Cause I'm just sittin' on ready, ready and waiting.
Baby, make your move, step across the line,...

Come on and dare me.
If there's any truth behind your intentions
This night's gonna end up on fire - you better believe it.
You better believe it, oh baby. Oh, dare me, dare me, dare me.
Baby, make your move, step across the line,...
Baby, make your move, step across the line,...
Baby, make your move, step across the line,...

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CURIOSITY KILLED THE CAT "The Name & The Number" (1989)

 

 Leur nom est tiré d'un proverbe anglais "curiosity killed the cat" = La curiosité est un vilain défaut.

Curiosity Killed the Cat a été créé à Londres, Royaume-Uni en 1984, composé de: Ben Volpeliere-Pierrot: chant,  Julian Godfrey Brookhouse: guitare,  Nicholas Bernard Throp: basse,  Michael Drummond: batterie,  Toby Anderson: synthé. 
 Leur premier single "Misfit" (1986) n'attira pas bejeaucoup d'attention, jusqu'à ce qu'Andy Warhol se déclara lui-même fan et apparut dans le clip.

En 1989, ils sortent "The Name & The Number", mais ils se feront voler la vedette avec ce titre 2 ans plus tard à cause du groupe De La Soul qui reprend le morceau sous le nom "Ring Ring Ring (Ah Ah Hey)" (1991)

 

 
 
DE LA SOUL:
 
DOVE:
Hey how ya doin'
Sorry ya can't get through
Why don't you leave your name
And your number
And I'll get back to you
Hey how are ya doin'
Sorry ya can't get through
But leave your name (uh)
And your number
And I'll get back to you.

Once again it's another rap bandit
Fiending at I and I can't stand it
Wanna be down with the Day-Glo
Knocking on my door, saying, "a yo yo"
Knocking on my door, saying, "a yo yo"
"I got a funky new tune with a fly banjo"
I can't understand what the problem is
I find it hard enough dealing with my own biz
How'd they get my name and number
Then I stop to think and wonder
Bout a plan, yo man, I gotta step out town
You wanna call me up? Take my number down
It's 222-2222
I got an answering machine that can talk to you
It goes

POS:
Hey how ya doin'
Sorry ya can't get through
But leave your name and your number
And I'll get back to you

Yo, check it, exit the old style
Enters the new
But nothing's new 'bout being hawked by a crew
Or should I say flock cause around every block
There's Harry, Dick, and Tom, with a demo in his palm
Now I'm with helping those who want to help themselves
And flaunt a nut that's doggy as in dope
But it's not the mood to hear
The tales of limousines and pails
Of money they'll make like a pro
I be like, "Yo black, just play me the tape"
But at the show the time to spare I just make
But the songs created in they shacks
Are so wick-wick-wack, situations like this
And now I hate they give me smiles Kool-Aid wide and ask,
"Was it def?"
And with the straighest face I be like, "Hell yes."
I slip them the digits to Papa Prince Paul
So I don't go AWOL but yet I know when they call
They get

MASE:
Hey how ya doing
Sorry ya can't get through
Why don't you leave your name
And your number
And I'll get back to you
Hey how are ya doin
Sorry you can't get through
Why don't you leave your name and your number
And I'll get back to you
Check it out

Party at the dug-out on Diction Ave
Haven't been to the jam in quite a while
Figure I'll catch up on the latest styles
'Stead piles and piles of demo tapes bi-da miles
All I wanna do is cut on the decks wild
But edition up here bi-da miles to the center
Reliever of duty, Plug One mosies in
And I be like, "Yo G, Pos does all the producing"

POS:
Now woe is me to the third degree
Mase pulls the funny so I make like a bunny
Jettin'
But I'm getting used to this demo abuse
Getting raped and giving birth to a tape
Cause there's no escape from the clutches of a hawker
Attached to my success, sent like a stalker
Make way to my radius playin fly guy
Try to get on my back they force like Luke Sky
Me Myself and I go through this act daily
And rarely do I not
No matter how I dodge some jackal always nails me
No matter what the plot
And even out on tour they be like,
"Yo I got a tape to play you back at the hotel"
I be like "Oh swell"
Unveil the numeric code to dial my room
And tell them to call me at noon
But of course there's no answering machine in my room
But a pretty young adorer
Who I swung on tour
And if it rings while we're alone
She'll answer the phone
And with the quickness she'll recite like a poem

DOVE:
"Hey, you done did the right thing, dial up my ring ring
Now you're waiting on the beep.
Say, I would love if you'd sing
The tune to Tru instead of fronting on the speak."
So no problemo, just play the demo
And at the end it's break out time
Please oh please don't press rewind
Cause I'll just lay it down the line

Hey how ya doing
Sorry ya can't get through
Why don't you leave your name and your number
And I'll get back to you

POS:
Hey how ya doing
Sorry ya can't get through
Why don't you leave your name and your number
And we'll get back to you.. peace


'Yo what's up man, this is Ronald Master down with the Fish Tank
Posse, man, you know man, so you know you can just hook
me up, True. You know we got this fly new jam called 'Swimming In the
Fish Tank', you know we gonna rock it man, you know
what I'm saying, but I just need your help, Prince Paul gave me your
number, you know man, you just gotta do that for me,
got this fly bassline, got these fly trombones in it man, so just hook
me up, man, just look out, all right, call me back
at 557-2223 all right man, just look out, all right, look out for a
brother man!'

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DEAD OR ALIVE "you spin me 'round (like a record)" (1984)

 

Dead or Alive voit le jour en 1980 en Angleterre. Le groupe se forme autour du chanteur leader Pete Burns, les autres membres ayants constament changé pendant toutes ces années.

Il faut attendre 1984 pour avoir droit à "You Spin Me Round" et son maginfique clip. Attention: regarde bien Pete: coupé décalé entre sa grosse voix et son physique effeminé. Aujourd'hui, Pete est devenue une superbe blonde platine siliconnée.

En 2007, Luc Deneuve reprend ce titre version electro prout prout pouet pouet commerciale, sous le nom de "single spin" (trop dur le titre)

Les tecktonik de passage sur cette page, ne regardez pas le clip, mais si vous insistez, faites gaffe: a 1:O1 min du clip, vous allez vous rendre compte qu'un des membres à la même coupe de cheveux que vous...et non, vous n'avez rien inventé!

 

If I
I get to know your name

Well I could trace your private number
baby.
All I know is that to me you look like you're lots of fun

Open up your:loving arms
I want some
want some.

Well I
I set my sights on you and noone else will do.
And I
I've got to have my way now
baby.
All I know is that to me you look like you're having fun

Open up your loving arms
watch out
here I come.

You spin me right round
baby
right round

Like a record
baby
right round
round
round.
You spin me right round
baby
right round

Like a record
baby
right round
round
round.

I
I got to be your friend now
baby

And I would like to move in just a little bit closer.
All I know is that to me you look like you're lots of fun

Open up your laving arms
watch out
here I come.
You spin me right round
baby
right round
. . .

I want your love
I want your love.
All I know is that to me you look like you're lots of fun

Open up your loving arms
watch out
here I come.
You spin me right round
baby
right round
. . .

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LIPPS INC "Funkytown" (1980)

 

Lipps Inc est un groupe de musique disco américain, principalement connu pour le célèbre tube Funkytown sorti en 1980.

Lipps Inc (prononcer lip sync), est formé à Minneapolis par le multi-instrumentiste (sauf la basse) Steven Greenberg qui écrit et produit toutes les musiques du groupe. À 24 ans, alors qu'elle était secrétaire dans la police locale, Cynthia Johnson, Miss Black Minnesota en 1976, lui envoie une démo réalisée avec James Harris III et le bassiste Terry Lewis. Bruce Bird, du label Casablanca Records, leur fait signer leur premier titre disco : Rock It.  Remplacée sur certains titres du dernier album par Melanie Rosales, Cynthia Johnson quitte le groupe en 1983.

En 1980, Funkytown est le seul titre produit par Lipps Inc à parvenir en tête des hit-parades internationaux. Ce titre leur donne la consécration d'un disque de platine (plus de deux millions de singles vendus). Le groupe cesse toute activité au milieu des années 1980. Il se différencie du son disco avec un mélange de styles disco, new wave pop et rythm and blues.

Gotta make a move to a
Town that's right for me
Town to keep me movin'
Keep me groovin' with some energy

Well, I talk about it
Talk about it
Talk about it
Talk about it
Talk about, Talk about
Talk about movin

Gotta move on
Gotta move on
Gotta move on

Won't you take me to
Funkytown
Won't you take me to
Funkytown
Won't you take me to
Funkytown
Won't you take me to
Funkytown

Gotta make a move to a
Town that's right for me
Town to keep me movin'
Keep me groovin' with some energy

Well, I talk about it
Talk about it
Talk about it
Talk about it
Talk about, Talk about
Talk about movin

Gotta move on
Gotta move on
Gotta move on

Won't you take me to
Funkytown
Won't you take me to
Funkytown
Won't you take me to
Funkytown
Won't you take me to
Funkytown

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TEENA MARIE "Ooh La La La" (1988)

 

Teena Marie aka Mary Christine Brockert  nait le 5 mars 1957 à Santa Monica, Californie.

Engagée en 1976 par Motown Records comme choriste, elle sort son premier album, intitulé Wild and Peaceful en 1979. Rick James (un des artistes funk les plus populaires du label entre 1970 & 1980), qui venait de refuser de travailler sur un album de Diana Ross parce qu'il ne pouvait le superviser dans son intégralité, compose quatre titres de l'album sur six, effectue les arrangements, chante, et joue un grand nombre d'instruments. C'est le début d'une longue collaboration artistique entre Teena Marie et Rick James. Dans une interview datée de 1999, Teena Marie admettra par ailleurs avoir eu une liaison amoureuse avec Rick James. Contrairement à l'usage courant, le visage de Teena Marie n'apparait pas sur la pochette de son premier album. En effet, Motown ne souhaite pas que son public découvre que la chanteuse est « blanche », bien qu'elle ne soit pas seule dans son cas à figurer dans le catalogue de la maison de disques. La première chanteuse Motown « blanche » est Debbie Dean en 1960. Le visage de Teena Marie apparait sur ses albums suivants. De fait, les questions d'appartenance ethnique n'ont jamais constitué un problème dans sa carrière, la chanteuse ayant toujours été très bien acceptée par le public du Rythm'n'blues.

La chanson est reprise en 1996 par The Fugees sous le titre Fu-Gee-La.

 

Every time you come around
I feel my world starts turning topsy-turvy
And I just can't fight the spin
Baby, won't you listen to this love
Whose hearts been missing and don't hurt me
‘Cause I'm falling your way again

Am I weak
Well, sometimes I just can't hardly speak
That I have to pinch myself to be sure
That this love is more than I can endure
Sweet thing, you've got me signing

Ooo la-la-la
It's the way that you feel when you know it's real
Ooo la-la-la
It's the warm that's inside when you're satisfied

Ooo la-la-la
It's a dream that lasts forever
Ooo la-la-la
Let's stay together, oh

I can see it there
That look upon your face is saying love's in making
Boy, I know what's on your mind
Love is for the lasting
And it's your just for the asking for the taking
‘Cause I'm falling your way this time

Do I thrill
Well, sometimes I get subliminal chills
That I have to pinch myself to be sure
That this love is more than I can endure
Sweet thing, you got me singing

Ooo la-la-la
It's the take to the sky on a natural high
Ooo la-la-la
It's the heaven that's sent when your heart's content

Ooo la-la-la
It's a dream that lasts forever
Ooo la-la-la
Let's stay together

Ooo la-la-la, don't ever go
‘Cause I love you do, I love you so, baby
Ooo la-la-la, don't ever go
‘Cause I'll surely die if you ever say goodbye, my baby

You got me falling
Falling for you, falling with you
Falling to you, falling after you
Falling

Ooh, sweet thing, you got me singing
Ooo la-la-la-la-la-la-la-la-la-la
Sweet thing, whoa, you got me singing
Ooo la-la-la-la-la-la-la-la-la-la
Sweet thing, whoa, you got me singing
Ooo la-la-la-la-la-la-la-la-la-la
Sweet thing, oh, you got me singing
Ooo la-la-la-la-la-la-la-la-la-la
Sweet thing, oh, you got me singing

Ooo la-la-la
It's the way that you feel when you know it's real
Ooo la-la-la
It's the warm that's inside when you're satisfied

Ooo la-la-la
It's a dream that lasts forever
Ooo la-la-la
Let's stay together

Ooh...ooh...
Sweet, ooh...ooh...ooh...ooh...
Ooh...ooh...
Sweet thing, ooh...

You know everybody
Sometimes you should just stop
And take some time out to tell the one you love
Just how much they mean to you
Because you see, sometimes the needs of the one
Outweigh the needs of the many
And if you understand what I'm talkin' about

Let me hear you say, "Yeah"
Let me hear you say, "Yeah, yeah, yeah"
Let me hear you say, "Yeah, yeah, yeah"
Let me hear you say, "Yeah"
Oh, I'm givin' up to you

I said I'm falling (Ooo la-la-la)
I said I'm falling (Ooo la-la-la)
I said I'm falling (Ooo la-la-la)
I said I'm falling (Ooo la-la-la)

I said I'm falling (Ooo la-la-la)
I said I'm falling (Ooo la-la-la)
(Ooo la-la-la)

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